Schoeps Colette CMC 1 U Microphone Amplifier and MK 2XS Omni Capsule Set (Matte Gray)

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Popular among professional audio engineers, the matte gray Schoeps Colette CMC 1 U Microphone Amplifier and MK 2XS Omni Capsule Set is an ultracompact, space-saving Colette Series modular microphone bundle that includes the CMC 1 U (XLR output) miniature microphone amplifier, MK 2XS omnidirectional mic capsule, SG 20 stand mount with swivel, B 5 solid-foam popscreen, and a premium case for secure transport and storage.

Popular among professional audio engineers, the matte gray Schoeps Colette CMC 1 U Microphone Amplifier and MK 2XS Omni Capsule Set is an ultracompact, space-saving Colette Series modular microphone bundle that includes the CMC 1 U (XLR output) miniature microphone amplifier, MK 2XS omnidirectional mic capsule, SG 20 stand mount with swivel, B 5 solid-foam popscreen, and a premium case for secure transport and storage.

The MK 2XS capsule's considerable, high-frequency-response elevation above 3 kHz (at 0°) compensates for high-frequency-response losses and delivers a flat frequency-response in the diffuse sound field. If used near a sound source, the sound is brilliant. The MK 2XS is usually used as a room microphone beyond the reverberation radius in larger rooms.

Thanks to the inclusion of the ultracompact CMC 1 U amplifier, this bundle serves as a lighter and smaller alternative to the acclaimed CMC 6 amplifier, without compromising sonic performance.

The matte gray Schoeps CMC 1 U is a miniature Colette Series microphone amplifier offering uncompromising high fidelity in a lightweight and ultracompact form factor for studio recording, broadcast, and live stage applications. Presented as an alternative to the renowned Schoeps CMC 6 amplifier, the CMC 1 U is compatible with all existing MK mic capsules and Colette active accessories (all available separately).

It features a balanced XLR output, compliance with 12 or 48V phantom power, and low current consumption. Its Schoeps RFI Shield provides high immunity from RF interference for a clean, low-noise signal. The CMC 1 U supports the high maximum SPLs tolerated by the various MK mic capsules (available separately).

The MK 2XS is designed for placement in a diffuse sound field, i.e. at distances in reverberant environments where the greater portion of arriving sound has already been reflected from various room surfaces. In such placement the integrated frequency response of this capsule is essentially flat; the on-axis high-frequency response elevation shown in the graph below is not heard as such. It is remarkable how well-focused a recording can be made with omnidirectional microphones at such distances, when the microphones have been designed and placed appropriately. If this type of microphone is used close to the sound source, the emphasis of high frequencies for on-axis sound incidence would become clearly audible, producing an overly brilliant sonic impression. If miking distances more typical of the mono and early stereo era are to be used, a capsule such as the MK 2XS, with its full diffuse-field equalization, may well offer the optimal balance of focus, depth and spaciousness.