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The matte gray Schoeps Colette CMC 1 Miniature Colette Microphone Amp and MK 5 Omni/Cardioid Condenser Capsule is an ultracompact, space-saving Colette Series modular condenser microphone bundle, offering the…
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The matte gray Schoeps Colette CMC 1 Miniature Colette Microphone Amp and MK 5 Omni/Cardioid Condenser Capsule is an ultracompact, space-saving Colette Series modular condenser microphone bundle, offering the flexibility of switchable omnidirectional and cardioid polar patterns along with transparent, low-distortion sound pickup for ideal sound capture in a broad spectrum of music production applications.
It includes the CMC 1 (XLR output) miniature microphone amplifier, the MK 5 omni/cardioid condenser capsule, a stand clamp, a foam windscreen, and a premium case. Thanks to the inclusion of the ultracompact CMC 1, this bundle serves as a lighter and smaller alternative to the CMC 6 without compromising sonic performance. The MK 5 capsule provides tonal and response characteristics akin to the Schoeps MK 2S and MK 4 capsules.
The matte gray Schoeps CMC 1 is a miniature Colette Series microphone amplifier offering uncompromising high fidelity in a lightweight and ultracompact form factor for studio recording, broadcast, and live stage applications. Presented as an alternative to the renowned Schoeps CMC 6 amplifier, the CMC 1 is compatible with all existing MK mic capsules and Colette active accessories (available separately).
It features a balanced XLR 3-pin output, compliance with 12 or 48V phantom power, and low current consumption. Its Schoeps RFI Shield provides high immunity from RF interference for a clean, low-noise signal. The CMC 1 supports the high maximum SPLs tolerated by the various MK mic capsules (available separately). A stand adapter is supplied with the CMC 1.
The Schoeps MK 5 is part of the Colette series of modular capsules designed for use with the CMC mic amplifiers. With the Schoeps MK 5, pattern switching is purely mechanical via a sliding lever on the side of the capsule. The result in each setting is like an independent microphone capsule with the same quality as the MK 2S / MK 4, and very similar (though not identical) frequency and polar response characteristics. In contrast to most dual-diaphragm microphones, the cardioid setting of the MK 5 maintains its directivity even at the lowest frequencies, and has high-frequency response up to 20 kHz. In addition, the MK 5 has excellent low-frequency response in the omnidirectional setting along with the low sensitivity toward wind, vocal “popping” noise, and solid-borne sound typical of pressure transducers.
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