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A broadcast industry standard, the RE20 Broadcast Announcer Microphone with Variable-D from Electro-Voice is a cardioid dynamic microphone that delivers reliable, low-noise performance with exceptional clarity and…
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A broadcast industry standard, the RE20 Broadcast Announcer Microphone with Variable-D from Electro-Voice is a cardioid dynamic microphone that delivers reliable, low-noise performance with exceptional clarity and definition. This model is styled in the classic fawn beige finish.
This microphone is part of the Fotohaus Klinger Virtual Mic Locker, an online tool to help our valued customers determine the sonic differences between popular microphones for podcasting and voice over work. Each microphone was recorded using a Grace Design M103 preamp into a Presonus Quantum 2626 interface.
The RE20 features a cardioid polar pattern with no coloration at 180-degrees off-axis—the frequency response is nearly independent of angular location of the sound source, creating virtually no off-axis coloration, yet providing the greatest possible rejection of unwanted sounds.
An internal blast and wind filter eliminates pop and wind noise at the closest proximity. In recording sessions or on stage, singers can "close talk" the microphone, singing with their lips almost touching the grille screen with no worry of "P-pops" or excessive sibilance.
The bass tilt switch corrects spectrum balance for use in long-reach situations and eliminates low frequency noise and rumble.
The Cloudlifter CL-1 Mic Activator from Cloud Microphones is a compact, single-input solution for common audio problems in the field and in the studio involving low-output passive microphones, including ribbon mics. The CL-1 uses any standard phantom-powered mixer or microphone input device to provide up to +25 dB of clean, transparent gain. This improves signal-to-noise ratio and improves the performance of passive microphone signals by driving stronger, cleaner signals over longer XLR cable runs, making them ideal for broadcast, live, and studio applications. The CL-1 is housed in a rugged steel enclosure which offers shielding and durability. Additionally, the CL-1 has provisions for stage or stand mounting.
Gives passive mics up to +25 dB additional active output and keeps the direct audio path free-and- clear of transformers, capacitors, and resistors. The CL-1 houses discrete JFET circuitry that delivers clean gain while preserving the natural sonic characteristics of the source
The black matte SSM-BC10 Microphone Suspension Shockmount from Auray is designed to keep your front-address microphone free from vibrations and noise that can often affect broadcast and voiceover applications. The heavy-duty bands isolate your microphone, eliminating the vibrations that can travel through your mic stand or broadcast arm.
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