DZOFilm VESPID Prime 5-Lens Kit (ARRI PL & Canon EF)

Get a range of focal lengths for your cine-style capture with the VESPID Prime 5-Lens Kit from DZOFilm. Ideal for rental houses or freelance cinematographers, this kit includes 12, 25, 35, 50, and 75mm PL mount lenses with EF mount adapters. These prime lenses cover full-frame sensors, projecting a 46.5mm image circle, yet are small and lightweight, making them ideal for a variety of applications like handheld, gimbal, and drone work.

The VESPID prime lenses feature an internal focus design that minimizes focus breathing while keeping the front of the lens from rotating and the lens from changing size while you change focus. The shared position of the focus and iris gears across the lens set makes for fast lens changes with minimal adjustment of lens accessories. An included hard case carries your lenses and protects them during storage and transport.

Relatively small and lightweight, the DZOFilm VESPID 12mm T2.8 Lens is part of the VESPID series of lenses from DZOFilm and is well suited for independent and high-end full-frame cinematography. The lens has an 80mm front diameter, allowing it to work with virtually any cine-style matte box. The small size makes this lens an attractive option when working with drones and gimbals, as well as when shooting handheld or run-and-gun. Sporting an interchangeable ARRI PL mount, this fully manual lens works with cameras that have a PL or EF mount with the included Canon EF mount. The full-frame coverage of the lens supports sensors that have an image circle up to 46.5mm for use on cameras with sensors up to full-frame without vignetting.

The 10-blade iris creates round out-of-focus highlights that have a more natural appearance and contribute to the lens's natural-looking bokeh. The focus ring features 270° of rotation for precise focus pulls, and the iris ring has a generous 75° of rotation. The lens has a magnetically attached rear filter for ND filters.

This 12mm lens has an image circle that covers a full-frame sensor. When mounted on a camera with a Super35 sensor, it provides you with a tighter shot than if mounted on a camera with a full-frame sensor.

The lenses provide an organic look that is a cross between the modern-day cold and technically precise aesthetic and vintage cinema lenses.

The coated optics help provide natural-looking contrast while helping to control veiling glare and specular highlights, preventing flares from washing out your image.

The modern mechanical design allows each lens to have a small size and light weight yet share the same 80mm front diameter for fast lens changes.