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The black I2 Flute Microphone Kit with 2.5mm Locking Connector for Lectrosonics M170, M170-BGO, M170-LS, M170-XLR, M175, and M175-LS Wireless Transmitters from Countryman is a mic that has been built from the ground up…
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The black I2 Flute Microphone Kit with 2.5mm Locking Connector for Lectrosonics M170, M170-BGO, M170-LS, M170-XLR, M175, and M175-LS Wireless Transmitters from Countryman is a mic that has been built from the ground up for smooth frequency response, low noise, and precise polar patterns with deep nulls and natural on- and off-axis response. It can be used to capture natural audio for this instrument.
The I2 microphone is suitable for distance miking that is invisible in front of audiences and on camera. This version features increased sensitivity for distance miking and captures detail for quieter instruments. The flute mount is a very low-profile mount that brings the microphone closer for good pickup and isolation. In addition, the 5' cable is hardwired to the mic and terminates with a 2.5mm locking connector for direct connection to Lectrosonics M170, M170-BGO, M170-LS, M170-XLR, M175, and M175-LS wireless bodypack transmitters.
The I2 maintains excellent pattern control and frequency response at all angles. It offers uncolored recordings and reduced feedback issues.
Flexible close miking techniques are aided by the instrument mounts, which position securely and gently on the instrument for capturing audio.
Small size and sonic precision makes this microphone suitable for X-Y, M-S, and other techniques that rely on accurate, coincident positioning and consistent patterns.
The hypercardioid polar pattern has a narrower pickup pattern in its front than the cardioid polar pattern. It offers better rejection of ambient noise and the working distance is about twice that of the omni polar pattern. The hypercardioid has a small "pickup lobe" directly behind the microphone and exhibits maximum rejection areas behind and to the sides (about 60 degrees away from the rear of the microphone on either side) of the mic. The hypercardioid pattern works best when the loudest unwanted sounds—like speakers—can be positioned in these nulls.
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