BABY AUDIO Transit 2 Audio Effect Plug-In

Baby Audio Transit 2 is the follow up to Transit, and it features additional modes and modules to expand your creativity. Use the plug-in to create interesting transitions between song elements, using a single plug-in and knob, which can be automated. With 838 presets, 6 modes, and 28 high-quality effect modules Transit 2 provides you with a tremendous amount of control over your audio. Including AU, AAX, VST, and VST3 plug-ins, Transit 2 is compativle with DAWs that run on Windows or Mac platforms.

• 4 New Motion Modes: LFO, Follower, Sidechain and Gate
• 10 New Effects: Warp, Loop, Reverser, Speaker, EQ, Analog Chorus, Shifter +, Mod Filter, Retroverb, Compressor
• Options to link Global Mix and Output to the Motion Mode
• Major redesign with improvements in workflow/performance and 469 new presets (838 presets in total with V1 presets)

• Macro—Sweep all linked parameters as you move the Macro knob back and forth. Click and drag or automate it for easy risers, washouts, complex filter sweeps and any other transition you can imagine
• LFO—Use a configurable LFO to sweep linked parameters back and forth with familiar waveshapes including Sine, Triangle, Saw, and Square. Sync the LFO to the host tempo with divisions from 1/64th note to 8 bars or set it freely in Hz. Use the range parameter to dial in the LFO start and end points and soften the wave shape with the Smooth control
• Follower—Linked parameters react to the intensity of incoming audio to move dynamically with your mix. Set the range of motion, the sensitivity of detection and the attack and release time to fine-tune the action to your dynamics
• Sidechain—Let Transit 2 respond to the dynamics of a different source signal than its input to control transitions and motion effects with another audio source from your session. Like Follower mode, Sidechain lets you customize the range, sensitivity, and the attack and release time, to tailor the response to your side-chain input signal
• Gate—Trigger tempo-synced transitions with a click. Simply press and hold your desired duration value to set a transition in motion. Release it to end early, or assign a MIDI controller for hands-on control of your transitions. In Gate mode, transitions begin right away when you click a tempo division and the effect is held at 100% for as long as you have the mouse (or controller) pressed. Enable the Pendulum option to sweep the transition back and forth, and use the loop setting to repeat the transition action endlessly while holding down a gate division. Gate mode is intended for live use to let you trigger complex transitions on the fly
• Sequencer—Trigger a tempo-synced transition that starts at the next bar after your click. Sequencer mode works similarly to Gate mode, but always aligns with the DAW grid. Sequencer mode waits until the next bar to trigger the transition, so you can easily set motion effects into action at precise points in your arrangement. For certain DAWs, Sequencer mode is the easiest way of getting perfectly timed transitions. Just use automation to record the mouse-click prior to the bar where the transition needs to start, and Transit will take care of the rest. Sequencer mode also includes pendulum and loop options that work in the same as in Gate mode

• Loop (new)—This module creates stutter and repeat effects that can be synced to the host tempo or set freely. Use the Length control to set the duration of the captured slice and the Smooth control to affect the transient of the stutter. Mix the effect in over the course of a transition for thrilling and ecstatic buildups
• Reverser (new)—This module reverses slices of incoming audio according to the length set by the Memory control. Set the slice length in tempo divisions or milliseconds and choose between half-speed double-speed or regular speed playback. The Smoothing control softens the onset and release of each slice for a gentler sound
• Warp (new)—One of the highlights of Transit 2 and worthy of being its own plugin (we're working on that!). Warp lets you rapidly bend the sound up and down in speed like changing the speed of a vinyl record or tape machine. At its core setting it does this with total smoothness and flexibility. However use the Stretch slider to add wonderfully glitchy side effects and mangle your sound into oblivion
• Retroverb (new)—This module provides an alternative to Transit’s primary reverb with a more vintage and grainy sound. Based on early digital FDN reverb techniques from the 80s, Retro Reverb includes dramatic tone roll-off and modulation controls for that unmistakable flavor of vintage ambience
• Mod Filter (new)—his module is a stereo filter bank with multiple filters at varying frequencies from left to right that create a hypnotic swirling effect. Spread controls the modulation characteristics of the various filters linked to the LFO. Think of it like a rotary speaker (or 4!) on steroids. Can be synced to the host tempo or set freely in Hz
• Compressor (new)—This module is a traditional downwards compressor with a much more transparent sound than the OTT effect that was already on board in V1. Its dry/wet control lets you use it in parallel to add punchy dynamics to any transition section
• Pitch+ (new)—This module is a high performance pitch shifter with a cleaner sound than the original Transit Pitch effect. It hosts an onboard tempo-syncable LFO linked to the pitch control for warbling vibrato and radical pitch swings. Set the LFO Depth to 0 for transparent static pitch shifts and hold the ctrl key while adjusting Pitch to transpose in semitone increments
• Speaker (new)—Brings the sound of a transistor radio with the unique lo-fi character of a small speaker. Shape the overall tone with the High and Low controls and add analog-style grit with the drive control
• Analog chorus (new)—This module supplements Transit’s primary chorus effect with a more vintage and colorful BBD-style chorus. The Stereo+ control lets you widen the perceived soundstage with lush modulation for immersive 3D effects during transitions
• EQ (new)—Adds a simple three-band EQ for global tone-shaping or DJ-style frequency isolation. With 20 dB of boost and 60dB of cut available for each band, the EQ module can be used for subtle adjustments or radical frequency shifts
• Auto pan—Automatically sweeps your signal back and forth through the stereo field at a user defined shape, width, and rate. Use it to add interest and perspective to a sound
• Bitcrusher—This module is like a digital time machine, reducing the accuracy at which your sound is reproduced to give a crunchy digital retro vibe. Use it to give your sound some subtle edge or go for all out digital destruction
• Digital Chorus—This module takes your sound and creates subtle variations of it using time and pitch differences. Like a musical multiplier, the chorus gives the illusion of having multiple voices. Use this to add depth and richness to your audio

• Delay—The delay clones your audio and plays it back over time, like an echo. Use it to add space and dimension to your track. Modulating the Length parameter can lead to some of the more interesting possibilities of Transit. Click the Tails icon (ON) to let your delay tail ring out after the transition has ended. (Otherwise, it will cut out with the end of the transition)
• Distortion—This module is a versatile distortion workhorse. Various transfer curves allow you to subtly shape your audio or push it into complete decimation. Add just a bit of harmonic richness or completely transform your sound
• Filter 12— A simple, two-pole filter with a standard range of filter types. Can be used to create captivating motion or emphasize specific frequencies of your sound with the Resonance control. Whether you’re carving space for your high-end or creating screaming sweeps, the filter is a powerful effect for creating a sense motion
• Filter 24—Filter 12’s bi