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Designed to provide the basic accessories for shock-mounting a shotgun microphone atop a camera, this Fotohaus Klinger Kit features the Audio-Technica AT897 shotgun microphone, a shoe/pole shockmount, and a short XLR to…
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Designed to provide the basic accessories for shock-mounting a shotgun microphone atop a camera, this Fotohaus Klinger Kit features the Audio-Technica AT897 shotgun microphone, a shoe/pole shockmount, and a short XLR to 3.5mm cable for easy hookup to a camera's mic input.
The kit addresses the needs of videographers who prefer a flexible and cost-effective shotgun microphone that provides smooth, natural audio reproduction, switchable low-cut filtering, and low handling noise. With its XLR output and dual powering modes (phantom power or a single AA battery), the AT897 mic is well suited for use with mirrorless cameras and DSLRs as well as professional camcorders, portable audio recorders, multitrack field recorders, and compact mixer adapters.
Well suited for indie films, nature recording, and documentary projects, the Audio-Technica AT897 shotgun microphone features smooth on-axis tone and great off-axis sound rejection while its housing remains short enough for camera-mounted operation. Plus, it can be operated via phantom power or a battery for flexible compatibility.
The AT897's moderate sensitivity delivers optimal performance when paired with high-gain, low-noise microphone preamps. With a selectable low-cut filter at 80 Hz, the AT897 is capable of delivering clear sound while attenuating rumble and bass buildup. Plus, its full-spectrum frequency response utilizes a gentle increase in high frequencies to enhance intelligibility.
The durable housing ensures rugged dependability while maintaining a light weight that won't burden your boompole or camera, and the included accessories accommodate mounting the AT897 to a mic stand, boompole, or camera-mount microphone holder.
The 11" long AT897 uses an interference tube and a supercardioid polar pattern to yield focused on-axis directionality while attenuating rear-entry sound and rejecting sound at the sides. This makes the AT897 far more effective at capturing distant sources than the omnidirectional mics found in most cameras.
The high-pass filter can be set to flat or 80 Hz to roll off low-frequency noise from common sources such as air conditioners and traffic.
Thanks to its 3-pin XLR output and compliance with 11 to 52 VDC phantom powering, the AT897 is compatible with a variety of handheld audio recorders, field recorders, and mixer adapters as well as built-in preamps on many camcorders and cinema cameras. When using devices that don't offer phantom power, the AT897 may be powered by a single AA battery (included).
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