Virtual Production

Key Features

• Compared to the smaller VideoMic GO, the **Rode VideoMic** camera-mount shotgun microphone offers battery powering, extended low-end response, and customizable audio settings.
• Its switchable pad and bass roll-off optimize it for mobile journalists, vloggers, and run-and-gun shooters in loud or rumble-heavy environments.
• This shotgun microphone features an integrated shockmount that mounts directly to your DSLR, mirrorless, or video camera and reduces noise from vibrations and camera handling.
• The windscreen design reduces wind noise, making it well suited for outdoor shoots.
• The attached 3.5mm TRS cable ensures easy hookup to your camera, and the dual-mono output means that no channel selection is necessary on your recording device.

Key Features

• This compact and lightweight shotgun microphone features an integrated shockmount that mounts directly to your camera or boompole and reduces noise from various vibrations.
• The reworked windscreen design minimizes wind noise, making it well suited for outdoor shoots.
• The 3.5mm TRS output and detachable cable ensure proper hookup to your camera, and the selectable safety channel prevents accidental distortion by providing a duplicate audio signal at a lower level.
• Whereas most built-in camera microphones pick up sound from all directions, this microphone utilizes a supercardioid polar pattern to focus on sound in front of it while attenuating sound from the sides and rear.
• Its low-noise electronics and sensitive condenser element deliver more detailed audio than the mics typically found in cameras and portable recorders.

Key Features

• A single 9V battery provides up to 70 hours of run time and an LED turns red to indicate low-battery status.
• Adjustable gain and a selectable bass roll-off make it easy to optimize the level and tone of your recording for a range of scenarios.
• This compact and lightweight shotgun microphone features an integrated shockmount that mounts directly to your camera or boompole and reduces noise from various vibrations.
• The windscreen design reduces wind noise, making it well suited for outdoor shoots.
• The attached 3.5mm TRS cable ensures easy hookup to your camera, and the dual-mono output means that no channel selection is necessary on your recording device.

Key Features

• Thanks to its aerospace-grade aluminum housing, the VideoMic NTG is durable, compact, and lightweight, making it equally at home atop a camera or on a boompole.
• The auto-sensing 3.5mm TRRS output and included TRRS cable ensure compatibility with cameras, portable recorders, mobile devices, and computers—no adapters required.
• A peak warning light, a -20 dB pad, and the selectable -20 dB safety channel help you easily avoid distortion in your recordings.
• When used as a USB microphone, the 3.5mm jack functions as a stereo headphone output for real-time monitoring of your signal.
• The VideoMic NTG's body features acoustic perforations rather than the linear slots traditionally used in shotgun microphones.

Key Features

• This compact and lightweight shotgun microphone features an integrated shockmount that mounts directly to your camera or boompole and reduces noise from various vibrations.
• The reworked windscreen design minimizes wind noise, making it well suited for outdoor shoots.
• The 3.5mm TRS output and detachable cable ensure proper hookup to your camera, and the selectable safety channel prevents accidental distortion by providing a duplicate audio signal at a lower level.
• Whereas most built-in camera microphones pick up sound from all directions, this microphone utilizes a supercardioid polar pattern to focus on sound in front of it while attenuating sound from the sides and rear.
• Its low-noise electronics and sensitive condenser element deliver more detailed audio than the mics typically found in cameras and portable recorders.

Key Features

• The lenses share a T-stop range of 1.5 to 22.
• The included lenses feature Sony E-Mount lens mounts and cover full-frame sensors.
• The lenses are suitable for shooting using available light, and as they all share the same exposure range, there is no worry when changing lenses you will also have to change your lighting or camera settings.
• Aperture and focus scales are marked on both sides of the lens, which makes it easier for a focus puller to work either side of the lens.
• The lenses feature a multi-layer coating providing good contrast, a sharp image, and protection from veiling glare.

Key Features

• Utilizing a multi-layer coating process for consistent color rendition from lens to lens the **Rokinon 85mm T1.5 Cine DS Lens** answers the challenge of assembling a set of lenses over time.
• The lens comes in Canon EF Mount and it features industry standard geared focus and iris rings that share common position with other Rokinon Cine DS lenses.
• To aid focus pullers who have to work both sides of the lens, the aperture and focus scales are marked on both sides of the lens.
• This 85mm lens produces a 28.3° angle-of-view when used with a full-frame sensor camera or a 35mm SLR.
• Hybrid aspherical lenses render sharply defined images with a minimum of distortion and chromatic aberrations, with a minimum focus distance of 3'6" from the lens.

Key Features

• This lens features a powered, variable-speed zoom control with direction reversal and minimal breathing, aberration, and image shift.
• Aimed at large-aperture interchangeable lenses, Sony's SMO (Smooth Motion Optics) technology helps you obtain the highest image quality and resolution while capturing video imagery.
• SMO helps minimize focus breathing, shifts while zooming, and lateral movement of the optical axis when zooming.

Key Features

• This lens features a powered, variable-speed zoom control with direction reversal and minimal breathing, aberration, and image shift.
• Aimed at large-aperture interchangeable lenses, Sony's SMO (Smooth Motion Optics) technology helps you obtain the highest image quality and resolution while capturing video imagery.
• SMO helps minimize focus breathing, shifts while zooming, and lateral movement of the optical axis when zooming.
• ThePro 95mm 98-UVATS UV Filteris one of Chiaro’s highest-rated protective UV filters with 98% light transmission.
• It’s ideal for photographers of all levels who demand high-quality glass and other essential features for excellent image fidelity and construction.

Key Features

• [Video 3](https://www.youtube.com/watch?v=v0nXbAEAqvM) Upgrade from your camera's onboard mic to the **Shure VP83 LensHopper** camera-mount shotgun microphone for better sound, less noise, and more focused directivity.
• Its long battery life, 3-stage gain switch, and selectable bass roll-off make it well suited for mobile journalists, vloggers, and run-and-gun shooters.
• Featuring rugged metal construction while remaining compact and lightweight, the VP83 is designed to be a reliable partner for your portable video rig.
• Its integrated shockmount attaches directly to your camera or tripod and impedes camera handling noise and vibrations transferred through a tripod.
• To reduce noise from light winds, the VP83 is equipped with a foam windscreen.

Key Features

• The lens comes in a Canon EF Mount and features industry standard geared focus and iris rings that share common position with other Rokinon Cine DS lenses.
• To aid focus pullers who have to work both sides of the lens, the aperture and focus scales are marked on both sides of the lens.
• This 24mm lens produces a 84.1° FOV when used with full-frame cameras.
• Hybrid aspherical lenses render sharply defined images with a minimum of distortion and chromatic aberrations, with a minimum focus distance of just under 10" from the lens.
• A removable petal shaped lens hood provides flare protection when shooting without a matte box, the lenses threaded front accepts a 77mm filter ring.

Key Features

• The EF lens mount offers compatibility not only with Canon's existing broad range of DSLR lenses but also with their line of EF-mount cinema prime, zooms, and even 2.0 and 1.33 anamorphic lenses.
• The mount is also interchangeable with a separately available PL mount by the end user.
• The camera records up to DCI 4K resolution video to dual CFexpress cards, and an SD card slot is available to record additional images.
• High frame rates up to 120 fps can be recorded in 4K raw, and up to 180 fps in 2K cropped mode.
• Canon's Cinema RAW Light and XF-AVC recording formats are supported, providing DCI 4K images with a 10-bit, 4:2:2 Long GOP codec.

Key Features

• It features industry standard geared focus and iris rings that share a common position with other Rokinon Cine DS lenses.
• This 14mm lens produces a 76.2°, wide angle-of-view when used with a four thirds sensor.
• Hybrid aspherical lenses render sharply defined images with a minimum of distortion and chromatic aberrations, and the minimum focus distance is 11" from the lens.
• Note: Please note that some cameras may require that Shutter Lock be disengaged when using this lens.
• With its Ultra Multi Coated lens, flare and ghosting is minimized, and the lenses are matched to a color standard, eliminating the need to acquire an entire set of lenses at the same time.

Key Features

• The **Sirui 50mm f/1.8 Anamorphic 1.33x Lens**, with an E-mount, is designed for APS-C cameras and increases the horizontal FOV by 33% in comparison with traditional 50mm APS-C lenses.
• The result is equivalent to a wider, 37.5mm APS-C lens.
• After a de-squeeze, the captured image is displayed in an anamorphic 2.4:1 format in a 16:9 setting.
• This fast f/1.8 lens is designed with an aluminum housing and features optics with multilayer Nano coatings.
• It has renowned Schott optical glass lens elements and delivers rectangular aspect ratios, long horizontal lens flares, and oval bokeh.

Key Features

• The result is equivalent to a wider, 37.5mm APS-C lens.
• After a de-squeeze, the captured image is displayed in an anamorphic 2.4:1 format in a 16:9 setting.
• This fast f/1.8 lens is designed with an aluminum housing and features optics with multilayer Nano coatings.
• It has renowned Schott optical glass lens elements and delivers rectangular aspect ratios, long horizontal lens flares, and oval bokeh.
• One of the features of this lens is that it produces horizontal blue streaks with less stray light, which Sirui calls sci-fi horizontal flares.

Key Features

• This **50mm f/1.8 Super35 Anamorphic 1.33x Lens** from **Sirui** adds 1.33x anamorphic squeeze to your images to achieve standard 2.4:1 widescreen aspect ratios.
• Designed for Super35/APS-C cameras with a Canon RF mount, the lens features an aperture range of f/1.8 to f/16.
• A lens construction of 11 elements in 8 groups creates the characteristic, stretched oval bokeh of anamorphic lenses for a unique cinematic look.
• The focus ring is capable of rotating 143.6° for intuitive control.
• A 67mm filter thread allows you to add compatible filters and customize your exposure.

Key Features

• The **Shure VP83F LensHopper** merges all the functionality of the VP83 camera-mount shotgun mic with a self-contained recorder and a dedicated headphone jack.
• Designed for mobile journalists, vloggers, and run-and-gun shooters, it features a backlit LCD screen with easy access to the mic gain, bass roll-off, metering, and more.
• Featuring rugged metal construction while remaining compact and lightweight, the VP83F is designed to be a reliable partner for your portable video rig.
• Its integrated shockmount attaches directly to your camera or tripod and impedes camera handling noise and vibrations transferred through a tripod.
• To reduce noise from light winds, the VP83F is equipped with a foam windscreen.

Key Features

• The MFT-mount **35mm f/1.8 Anamorphic 1.33x Lens** from **Sirui** is designed for MFT/APS-C cameras and increases the horizontal FOV by 33% in comparison with traditional 35mm APS-C lenses.
• The result is equivalent to a wider 26.3mm APS-C lens.
• After de-squeezing, the captured image is displayed in an anamorphic 2.4:1 format in a 16:9 setting.
• This fast f/1.8 lens is designed with an aluminum housing and features optics with multilayer nano coatings.
• Made with renowned Schott optical glass lens elements, it produces rectangular aspect ratios, long horizontal lens flares, and oval bokeh.

Key Features

• [Video 2](https://www.youtube.com/watch?v=d2cd30LmR3c) This **35mm f/1.8 Super35 Anamorphic 1.33x Lens** from **Sirui** adds 1.33x anamorphic squeeze to your images to achieve standard 2.4:1 widescreen aspect ratios.
• Designed for Super35/APS-C cameras with a Canon RF mount, the lens features an aperture range of f/1.8 to f/16.
• A lens construction of 13 elements in 9 groups creates the characteristic, stretched oval bokeh of anamorphic lenses for a unique cinematic look.
• The focus ring is capable of rotating 191.2° for intuitive control.
• A 67mm filter thread allows you to add compatible filters and customize your exposure.

Key Features

• A parfocal cine lens, the DZO Pictor 20 to 55mm T2.8 Super 35 Zoom Lens features a relatively fast maximum aperture of T2.8 with an aperture range of T2.8 to T22.
• As you would expect from a cinema-style zoom, the lens is parfocal, meaning it holds focus throughout the zoom range.
• The internal focus design with floating elements virtually eliminates focus breathing.
• It covers a Super 35 image circle, comes standard with an interchangeable PL mount, and includes an EF mount.
• The lens features cine-style gear rings on the focus, iris, and zoom lens rings, making it compatible with cine-style lens accessories such as follow focus units, lens motors, and lens control systems.

Key Features

• While the lens may seem small, it has professional features to back it up.
• The 18-110m focal-length range covers moderately wide to narrow angles-of-view.
• The body of the lens sports separate focus, zoom, and iris rings for complete manual control.
• Just pull the focus ring back and full-time manual focus is engaged.
• The focus ring itself has built-in cinema-standard gearing for follow-focus compatibility.

Key Features

• ### Learn from B&H Experts Sirui 24mm f/2.8 Anamorphic 1.33x Lens ### From Manufacturer Hello SIRUI, What is your next Anamorphic Lens?
• Designed for MFT/APS-C cameras with a Sony E mount, the lens increases the horizontal FOV by 33% compared with traditional 24mm APS-C lenses.
• After de-squeezing, the captured image is displayed in a 2.4:1 format in a 16:9 setting.
• Lightweight and portable, the f/2.8 lens is designed with an aluminum housing and features optics with multilayer nano coatings.
• Made with renowned Schott optical glass lens elements, it produces rectangular aspect ratios, long horizontal lens flares, and oval bokeh.

Key Features

• ### Learn from B&H Experts Sirui 24mm f/2.8 Anamorphic 1.33x Lens ### From Manufacturer Hello SIRUI, What is your next Anamorphic Lens?
• Designed for MFT/APS-C cameras with a Canon EF-M mount, the lens increases the horizontal FOV by 33% compared with traditional 24mm APS-C lenses.
• After de-squeezing, the captured image is displayed in a 2.4:1 format in a 16:9 setting.
• Lightweight and portable, the f/2.8 lens is designed with an aluminum housing and features optics with multilayer nano coatings.
• Made with renowned Schott optical glass lens elements, it produces rectangular aspect ratios, long horizontal lens flares, and oval bokeh.

Key Features

• The large aperture allows working in difficult lighting conditions and offers increased control over depth of field.
• The lens produces results with low distortion, while its multilayer coating reduces flare and ghosting for greater contrast and color accuracy.
• With an all-metal housing, this manual focus lens also has a robust design.
• The minimum focus distance from the image plane is 7.9", so you can get very close to your subject and achieve close-up wide-angle shots with sharp focus.
• The lens is designed with scale markings in feet and inches.